{"id":1758,"date":"2023-06-28T15:30:12","date_gmt":"2023-06-28T13:30:12","guid":{"rendered":"https:\/\/fondazionenicoladelroscio.it\/?p=1758"},"modified":"2023-12-14T17:05:25","modified_gmt":"2023-12-14T16:05:25","slug":"silvia-giambrone-certe-cose","status":"publish","type":"post","link":"https:\/\/fondazionenicoladelroscio.it\/en\/silvia-giambrone-certe-cose\/","title":{"rendered":"Silvia Giambrone. Certe Cose"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1758\" class=\"elementor elementor-1758 elementor-949\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c2baa6b elementor-section-boxed elementor-section-height-default elementor-section-height-default parallax_section_no qode_elementor_container_no qode-content-aligment-left\" data-id=\"c2baa6b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-eaef61f\" data-id=\"eaef61f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-435f6cd elementor-widget elementor-widget-text-editor\" data-id=\"435f6cd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>With Silvia Giambrone\u2019s exhibition Some Things, La Fondazione Nicola Del Roscio is presenting from Thursday 15 September 2022 to Friday 7 October 2022 the first in the series of Project Room shows, in the spaces at Via Crispi 18. With the Project Room, the Fondazione Nicola Del Roscio is taking the project in a new direction, with the aim of turning it into an observatory of contemporary Italian art. The artists are invited to intervene through projects of experimentation and research into the most pressing themes of the present day.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cb4c858 elementor-widget elementor-widget-text-editor\" data-id=\"cb4c858\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i>\u201cCerte cose sono come la Bellezza<br \/><\/i><i style=\"letter-spacing: 0px;\">che \u00e8 morta da tempo: solo l\u2019acqua profonda del pozzo pu\u00f2 lavarle e destarle.\u201d\u00a0<\/i><\/p><p><i style=\"letter-spacing: 0px;\">Emanuel Carnevali<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6768a3 elementor-arrows-position-inside elementor-pagination-position-outside elementor-widget elementor-widget-image-carousel\" data-id=\"b6768a3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;navigation&quot;:&quot;both&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;yes&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-image-carousel-wrapper swiper\" role=\"region\" aria-roledescription=\"carousel\" aria-label=\"Image Carousel\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 of 3\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/fondazionenicoladelroscio.it\/wp-content\/uploads\/2023\/07\/giambrone2.jpg\" alt=\"giambrone2\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"2 of 3\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/fondazionenicoladelroscio.it\/wp-content\/uploads\/2023\/07\/giambrone1.jpg\" alt=\"giambrone1\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"3 of 3\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/fondazionenicoladelroscio.it\/wp-content\/uploads\/2023\/07\/giambrone3.jpg\" alt=\"giambrone3\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-left\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4b16f57 elementor-widget elementor-widget-text-editor\" data-id=\"4b16f57\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Objects do not always retain their original functions. Once they have lost their neutrality, the meaning that is assigned to them changes. They can become \u2018Some Things\u2019, conveying to us sensations and emotional resonances that are wholly unaccustomed. At times, those same objects become symbols of unease. At others they are bearers of common values and cultural legacies. Like an embroidered collar, or a couple of pieces of cutlery. \u2018Some Things\u2019 are silent and alone, concealing underlying mechanisms of power and subjugation. The works on display have no need of a link to connect them. They exist as entities in their own right. By combining the aseptic structure of the video-performance with the light box hung on the wall, the artist\u2019s aim is not so much to establish a single discourse covering all the works as a reflection on what \u2018Some Things\u2019 mean to us, stirring a different echo in each of us. In this way <b>Cutlery<\/b> (2016) brings us back to a domestic and familiar setting, but one that is at the same time ambiguous and disturbing. In <b>Atto unico per mosche<\/b> (One-act Play for Flies, 2018), produced by the Fondazione Pietro e Alberto Rossini of Briosco, the idea returns of resonance and correspondence between persons and objects, space and time. The protagonists of the film are two women, who relate to one another without meeting. <b>Collar 6<\/b> (2022) presents the x-ray of a familiar and universally recognised object like an embroidered collar as a sign that penetrates into the body, one whose symbolic power makes its cultural origin evident. The act of embroidering, in fact, historically seen as a traditional female practice, becomes an object-sign, which in Judith Butler\u2019s view is performative and writes itself on the body, constructing its identity.&nbsp;<\/p>\n<p>The new course taken by the #Project Room format makes it possible to get right to the heart of the artist\u2019s creative process: Silvia Giambrone opens this exhibition with a reading of a number of poems and texts, including Emanuel Carnevali\u2019s \u2018Some Things\u2019. They are a series of writings in which the artist has found a resonance with her works, which are an expression of the introjection of relationships of power. In this way the public is invited to participate in the artist\u2019s emotional experience.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>With Silvia Giambrone\u2019s exhibition Some Things, La Fondazione Nicola Del Roscio is presenting from Thursday 15 September 2022 to Friday 7 October 2022 the first in the series of Project Room shows, in the spaces at Via Crispi 18. With the Project Room, the Fondazione&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1628,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[43],"class_list":["post-1758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-project-room-en","tag-project-room-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Silvia Giambrone. 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